Saturday, 28 February 2009


just found out about this so thought that i would send something in.

Hi my name is Les – I’m an artist who makes stuff and who works with people. I was really drawn to your particular experience of democracy – it sounds like it was a good night out mixed with radical thinking.
When I make things I am interested in my role as somebody in the middle – often working for and with several opposing sides – but at the core I’m trying to solve problems creatively.

Your proposal has thrown up a lot of questions in my household – what does democracy look like? What does democracy feel like? Should the bench illustrate or enable democracy? What shape is democracy?

I have made a few benches for different types of places and experiences. Like the 26 benches for a footpath in Norfolk each with a text that is specifically written in response to where it is. The words on each bench can be read individually or all benches can be read as a whole – they allow for a moment – a pause to reflect in our busy world.

The benches I made for a new supermarket in Diss, a town in East Anglia, take their forms from the shape of buildings previously on the site. They have equations cut into them, which were generated from conversations with the people of Diss. With each viewing their meaning can change.

Another example are the seating/benches for Norwich with the names of long forgotten buildings and people cut into steel which is wrapped around wooden blocks – reminiscent of bales of goods arriving on the river and taken off boats.

The bench needs to make one thoughtful – maybe a single word or sentence cut into the stone – or opposing shapes or symbols which would make up a third idea or form – the idea of one voice becoming strong by joining another. Or how about 50 words that are submitted and voted on by the audience, which are then developed into equations which are then cut into stone.

I am taken that the gardens you have chosen have so many influences and cultural references – the text could reference this through the use of different typefaces or use the languages of audience members.

I would want to make the bench very solid – unmovable – as if it had been there forever. I would use granite blocks saved from the old County Hall Greater London Council G.L.C. building. A stone mason I work with has in his field – a nice cyclical, symbolic experience that might be reflected in the possible shape of the proposed bench – a circle maybe but this could be voted on.

Not sure if you want a particular idea to vote on or to be part of an ongoing discussion – but I guess that i'm proposing blocks of granite recycled from the old G.L.C. cut into the shape of democracy with words chosen by yourselves cut into it.

Wednesday, 18 February 2009


as part of Triptych - a research project that reflects on drawing practice as knowledge - I am showing a number of drawings in the Project Space at Norwich University College of the arts - the work is some of the foot path drawings I made during the commission at Great Cornard

Friday, 13 February 2009


the pitch for the bridge commission at Stratford went well. Westfield offices have relaxing pink leather sofas and after the journey - through floods, late trains and closed tube stations this was a welcome relief - as ever Keith at Perfitts and a new addition to the team Ross Sutherland - the poet - were very helpful in helping me to pull all the strands of the bid together - waiting now for consultation feedback


the outcome of the town council meeting was positive. the latest designs and model were much appreciated and the go ahead has been given to start work on the bench for Leiston